Zakiyyah Iman Jackson is Associate Professor of Literature at Duke University. Her research explores the literary and aesthetic aspects of Western philosophical and scientific discourse and investigates the engagement of African diasporic literature, film, and visual art with the historical concerns, knowledge claims, and rhetoric of Western science and philosophy. Professor Jackson is the author of Becoming Human: Matter and Meaning in an Antiblack World. Becoming Human is a call for rethinking the philosophical import of African diasporic literature and visual art. It demonstrates that gender, sexuality, and maternity are integral sites for producing a human-animal distinction that persistently reproduces the racial logics and orders of Western thought. Jackson argues that the literary texts and visual artistic practices featured in Becoming Human generate transformative possibilities for reimagining being by neither relying on animal abjection to define what we call human nor reestablishing “recognition” within liberal humanism as an antidote to racialization. Ultimately, Becoming Human reveals both the terrorizing peculiarity of reigning foundational conceptions of “the human” rooted in Renaissance and Enlightenment humanism and expressed in current multiculturalist alternatives as well as highlights generative, unruly senses of being/knowing/feeling existence put forward by black feminist theory, literature, and art. Becoming Human is the winner of the Harry Levin First Book Prize from the American Comparative Literature Association, the Gloria Anzaldúa Book Award from the National Women’s Studies Association and the Lambda Literary Book Award for LGBTQ Studies.
Professor Jackson is at work on a second book, tentatively titled “Obscure Light: Blackness and the Derangement of Sex/Gender.” The project provides a critique of biocentrism (or biological reductionism and determinism) and elucidates what Jackson argues is the indistinction of sex/gender and race. It maintains that antiblackness constitutes the bedrock of modern Western logics of sex/gender, in science and philosophy, and meditates on the transfiguring potentialities of blackness. Jackson’s work has appeared in scholarly journals such as Feminist Studies, e-flux, Gay and Lesbian Quarterly, Qui Parle: Critical Humanities and Social Sciences, South Atlantic Quarterly, and Catalyst: Feminism, Theory, and Technoscience in addition to exhibition catalogues for the Whitney Museum, Hammer Museum, and The Studio Museum of Harlem.